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- OPERE
- VIRTUAL TOUR
- FRANCESCO BOCCHINI
- JULIA BORNEFELD
- MAGDALENA FERNANDEZ
- SUBODH GUPTA
- ZHANG HUAN
- LUC MATTENBERGER
- TETSUYA NAKAMURA
- ADEELA SULEMAN
- That's just the way it is
metal sculptural installation
weight: 15 kg
Courtesy lerimonti Gallery
- Hawwa Bai with her Apple Tree and Parrot
steel and iron sheet
weight: 40 kg
Courtesy Laurent Delaye Gallery, London
- Open Confinement
metal sculptural installation
weight: 35 kg
Private collection
- Shahida
alluminium, steel, cooking objects, foam
weight: 2 kg
Courtesy Galerie Davide Gallo Berlin
- Khalida
steel, cooking objects, foam
weight: 3 kg
Collezione Luise_Giardiello Milano
Courtesy Galerie Davide Gallo Berlin
- Case 3
steel sculpture
weight: 15 kg
Courtesy Aicon Gallery London
- Case 4
steel sculpture
weight: 15 kg
Courtesy Aicon Gallery London
- Case 5
steel sculpture
weight: 15 kg
Courtesy Aicon Gallery London
- Capsule
steel sculpture
weight: 25 kg
Courtesy Mrs Mehreen Rizvi-Khursheed
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Adeela Suleman
That's just the way it is
[...] In That's just the way it is, prickles bristle
across part of the outer case, like defensive hedgehogs,
and on the other part they become a bed of nails,
a place
of suffering and segregation.
Hawwa Bai with her Apple Tree and Parrot
[...]
We are in the Garden of Eden, more apparent from the bright
red apples on the ground rather
than those still clinging
to the branches of the tree. The characters animating this
artistic story all lie somewhere along the border between
the secular and the mystical, the biblical and autobiographical,
the worlds of fauna and flora in which everything seems
to flow naturally, and the human world, always undecided
as to whether to choose or not, then in conflict as to whether
the choice
was the right one.
Capsule - Case 3-4-5 - Khalida - Shahida
[...] The works were created to cushion and protect
the female head and body, with a touch
of sophistication and
vanity that turns them
into jewels sparkling in the light,
precious
and unique pieces created by Adeela's shrewd
and agile
inventiveness. Paradoxically,
these works have a use - albeit a virtuous
one - other than their original purpose: they protect,
yet are also elevated to the role of objet d'art.
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